I feel that this video is perfect for this song. The song slows to a halt and everything stops for a millisecond before launching back into high gear. I really love the moment when all of the sand rings around the band come crashing down simultaneously with Bono’s knees hitting the ground. There is also lots of nice aggression on the part of the band members, which is appropriate for such a rocking song. There are sand storms and spiraling ground around them, plunging the band into complete darkness at one point as the desert swallows them up.
![u2 vertigo u2 vertigo](https://i.pinimg.com/originals/4d/42/93/4d4293e7ae2dea03fcce321923a756f3.jpg)
The desert sands are shifting beneath them, leading to a vertiginous feeling. The story goes like this: the band members are marooned in the desert, burning with the power of their song, leaving a trail of smoke in their wake. That’s not to say that the video didn’t require a lot of takes or a great deal of effort, but the final, end result feels energetic and spontaneous to me. Instead, those involved in the decision-making process wisely chose to make something quick and dirty and flashy to go along with this song. “Vertigo” is a fast, dynamic song, and to try to weigh the video down with lots of deep meaning would have been a mistake. Fortunately, that is not the case here, as there is just enough of a story, just enough meat here that the video gets a passing grade from me.
#U2 vertigo movie#
In fact, I enjoy some pretty CGI, but I get concerned when the movie or video leans too heavily on modern technology and the filmmakers forget that CGI just exists to help them tell a good story.
![u2 vertigo u2 vertigo](https://i.ytimg.com/vi/zayLzVUK8fE/maxresdefault.jpg)
That’s OK…I am not one of those fans that needs everything to be accomplished by traditional means. Courtes several times after “Vertigo” on subsequent videos, and the videos that he would help create feature. The video was directed by the duo of Alex Courtes and Martin Fougerol. U2’s main video for “Vertigo” was, as far as I can recall, the first U2 video to feature heavy use of computer generated images.